SONGS

Professor Yip,
I really enjoyed the webinar and it was very informative. One of my questions to you was, how do you view the new movies that are centered around the use of martial arts, such as Shang Chi? Do you think there is a future for a mix of fantasy and traditional martial arts cinema as the younger audience has grown interests in other Asian art forms like anime and Kpop?

Professor Yip,
I found your presentation really fascinating. You briefly mentioned the use of training in American films as being more individualistic than early martial arts films. I was wondering if you've found any notable exceptions to this in modern cinema (American or otherwise).

Professor Yip,
What I find most intriguing about the discussion is the exploration of how martial arts cinema serves as a reflection of societal values and aspirations. The emphasis on authenticity and tradition in martial arts training resonates with broader themes of cultural heritage and identity, making it a compelling lens through which to examine the evolution of Hong Kong cinema. As I listened to the lecture and discussion about Hong Kong martial arts films, I also couldn't help but feel a deep personal resonance with the topic. My oldest son has a profound passion for karate and has found his home in its practice. Seeing his dedication and growth in the discipline has
given me a newfound appreciation for the rich traditions and philosophies embedded within martial arts. Moreover, my own experiences living in Okinawa for a few years, the birthplace of
karate, have further deepened my connection to this ancient art form. Witnessing firsthand the
culture and heritage surrounding karate in Okinawa has instilled in me a profound respect for the values of discipline, respect, and self-improvement that martial arts embody. It was fascinating to learn about the intersection of martial arts philosophy with broader societal dynamics, especially considering my personal ties to this topic through my son's passion and my time spent living in Okinawa. I am thankful for the opportunity to listen to your lecture and delve into the fascinating discussion. What do you think of Jackie Chan in relation to American films and his style of martial arts being more traditional than others?

Professor Yip,
I found your presentation to be informative and engaging. Are these motifs examined and studied by students in Hong Kong? Are the motifs found in early Hong Kong martial arts cinema present in the academic careers of modern students?